Cross Form Emerging, 2025

steel brazed with brass
80 × 55 × 6 cm

Cross Form Emerging, 2025

steel brazed with brass
80 × 55 × 6 cm

Cross Form Emerging, 2025

steel brazed with brass
80 × 55 × 6 cm

Touched #4, 2025

archival pigment print
25 × 20 cm
edition of 5

Touched #4, 2025

archival pigment print
25 × 20 cm
edition of 5

Shifter, 2024

wine on Jute
75 × 75 cm

Shifter, 2024

wine on Jute
75 × 75 cm

Studio view, 2024

Woodingdean

Untitled (Alexander, James, Thomas, Simon) #2, 2021.

graphite on maple panels with oak frame
124 × 64 cm

Untitled (Bob & James), 2021

graphite on maple panels with oak frame
84 × 84 cm

Untitled (Agathaidas & Phalanthus), 2017

graphite on panels
160 × 160 × 4 cm

Untitled (Bob & James), 2018

graphite on brass panels with steel frame
205 × 206 cm
commission for Towner Eastbourne

Cross Form Emerging #2, 2022

brass brazed with silver
33 × 49 × 3 cm

Cross Form Emerging #2, 2022

brass brazed with silver
33 × 49 × 3 cm

Cross Form Emerging #2, 2022

brass brazed with silver
33 × 49 × 3 cm

Touched #3, 2020

archival pigment print in oak frame
29 × 36 (print)
46 × 53 (framed)
edition of 5

Touched #3, 2020

archival pigment print in oak frame
29 × 36 (print)
46 × 53 (framed)

Ain't Nothing Like The Real Thing, 2017

exhibition view:
Stephane Simones Contemporary Fine Art, Belgium

Untitled (Bob & James), 2023

hemp on stretchers with copper nails
40 × 40 × 4 cm

Untitled (Benjamin & Jason), 2019

linen on stretchers with steel nails
60 × 60 × 4 cm

Untitled (Benjamin & Jason), 2019

linen on stretchers with steel nails
60 × 60 × 4 cm

Cross form emerging #1, 2022

spot welded steel with iron oxide patina
30 × 59 × 1 cm (three parts)

Cross form emerging #1, 2022

spot welded steel with iron oxide patina
30 × 59 × 1 cm (three parts)

Touched #1, 2016

archival pigment print with graphite frame
29.5 × 33.5
edition of 5

Touched #1, 2016

archival pigment print with graphite frame
29.5 × 33.5
edition of 5